Showing posts with label A Certain Ratio. Show all posts
Showing posts with label A Certain Ratio. Show all posts

Guess Who?


A Certain Ratio - Firenze
Originally a cassette tape transfer from an original soundboard recording. Recreated here in high quality lossless flac audio. With ACR's impending reissue campaign on Mute Records, I won't be posting anymore articles from their extensive back catelogue. Instead here is a mixing desk recording from a live gig in Florence, Italy in June 1982. The lineage of the tape source has led to some hiss and deterioration in clarity, but it remains a fine example of how tight the Manchester post-punk funksters had become onstage. Another poorer recording from the audience at this gig was used for the bootleg LP, From Italy. Enjoy!

01 Kether Hot Knives
02 Back To The Start
03 Show Case
04 I'd Like To See You Again
05 Tumba Rhumba
06 Skipscada
07 Waterline
08 Axis
09 Saturn
10 Day One
11 Guess Who?
12 Touch

FBN 32 in 24 Bits


A Certain Ratio - Brazilia
Ripped from a 12" vinyl single released on Factory Benelux Records (FBN 32) in 1984 to high resolution 24-bit flac audio. For the chap who has been politely harassing me in the various comments sections over his these past few months. 

A1 Brazilia
B1 Brazilia (Extended Mix)

FAC 112 in 24 Bits


A Certain Ratio - Lifes A Scream
Ripped from a 12" vinyl single released on Factory Records (FAC 112) in 1984 to high resolution 24-bit flac audio. Continuing our upgrade of the deleted ACR singles back catelogue.....

A1 Lifes A Scream
B1 There's Only This

FAC 128 in 24 Bits


A Certain Ratio - Wild Party
Ripped from a 12" vinyl single released on Factory Records (FAC 128) in 1985 to high resolution 24-bit flac audio. In the Factory years, each ACR single was unique in its own right, each revealing a slightly different sound and development in direction. Wild Party was ACR at their very hardest and from then on things got mello and mellower. Also of note is that this is possibly the last ever record ever to have a b-side as iconic as the title track ...that's got you all thinking now, hasn't it?

A1 Wild Party
B1 Sounds Like Something Dirty

FAC22 in 24-Bits


A Certain Ratio - Flight
An exercise in getting the best possible rip from a thirty-six year old 12" vinyl single, released on Factory Records (FAC 22) in 1980, to high resolution 24-bit flac. ....as well as a very tenuous link to the previous post.

A1 Flight
B1 Blown Away
B2 ....And Then Again

FAC 52


A Certain Ratio - Waterline
Ripped from a 12" vinyl single released on Factory Records (FAC 52) in 1981 to high resolution 24-bit flac audio. Keeping the current flood of posts going with some classic ACR.

A1 Waterline
B1 Funaezekea

Tumba Rhumbas


A Certain Ratio - London Lyceum, November 1982

From a CDR of an unknown generation audience recorded cassette tape. A nice quality audience recording of A Certain Ratio at their jazzy funkiness peak in late 1982. The band were just about to release their third Factory Records album, I'd Like To See You Again. For their late 1982 shows the band had expanded to include new keyboard maestro Andy Connell with 52nd Street's Derek Johnson adding some toast to Sommadub. Very soon after the two original band members, Peter Terrell & Simon Topping would go their own ways, and the band's creative edge disappeared into tepid mediocrity before they found their feet again in late 1984.
Four of the tracks from this show would never see official releases, including the unrecorded Figuera and Ma Fiesta (or Mi Fiesta as it was referred to at other gigs) and the two Peel Session tracks, Who's To Say and Piu Lento.

There are two known recordings of this gig, so for the record this version (recorded close to the PA) is known as source 2.

Setlist:
Showcase
Tumba Rhumba
Skipscada
Figuera
Who's To Say
I'd Like To See You Again
Piu Lentu
I Need Someone Tonight
Ma Fiesta
Axis
Sommadub
Guess Who?
Touch

The Plugger's Dream


A Certain Ratio - Good Together
Ripped from a white label single with no catelogue number to high resolution 24-bit flac audio ...actually mine is more of a pinkish hew than a white label proper. ACR upon signing for a major were hawked around the streets of Britain by men with slicked back pony tails, baggy, shiny suits and slip on loafers. Yep, I am talking about those wide boy record reps (most of whom were killed off by the excesses and failures of the nineties) who clearly have no place these days in a digital era. I recall one trying to plug this as featuring the front man from New Order with that bloke from The Happy Mondays and some friends from Manchester! The track was never actually released properly as a dance single (there was a 7" of sorts a year later) but it did eventually appear on the Four For The Floor EP  and on the contract obligation album ACR:MCR. Factory would have done a better job with Good Together the single, and clearly it should have been a hit. Allegedly only 500 were pressed, and I am not too sure mixes 2 and 3 were ever seen of or heard of again.

A1 Good Together (Mix 1)
A2 Good Together (Mix 2)
B1 Good Together (Mix 3)
B2 Untitled

ACR:E17


A Certain Ratio - Walthamstow
Ripped from an unofficial CDR of a live recording at Walthamstow Assembly Hall on 11th November 1985. Here's a lossless FLAC rip of something which came my way quite a few years ago. It's a live recording of an ACR gig at Walthamstow Assembly Hall in November 1985 - according to Google, Stockholm Monsters were the support act. Enjoy! If anybody out there has any other ACR live gig recordings to share, I may be persuaded to dig around in the boxes for a few more of these. 

01 Sounds Like Something Dirty
02 Shack Up
03 Life's A Scream
04 And Then Again
05 Only Together
06 Bootsy
07 Wild Party
08 Flight
09 Inside
10 Knife Slits Water
11 Si Firmi O Grido

Mello


A Certain Ratio - Mello'd Up
Ripped from a 12" vinyl single released on Robs Records (ROB 6R) in 1992 to high resolution 24-bit flac audio.
A1 Mello'd Up
A2 Mello Dub
B1 27 Forever (Testimonial Mix)
B2 Mello (303 Dub)

Cracked Up?


A Certain Ratio - Shack Up 1994
Ripped from a 12" vinyl single released on Creation Records (CRE 151T) in 1994 to high resolution 24-bit flac audio. Further evidence that classic funk cannot be remixed into house music. Great sleeve though.
A1 Shack Up (Wipe Out Mix)
A2 Shack Up (Radio Edit)
B1 Shack Up (Work Mix)
B2 Life's A Scream (Shaven Not Stirred Mix)

Shacked Up!


A Certain Ratio - Shack Up 1990
Ripped from a scratchy 12" single unreleased on A&M Records (ACRY 590DJ) in 1990 to high resolution 24-bit flac audio. Allegedly pulled due to an unauthorised Pink Floyd sample according to one story, a major fall-out between band and label according to another.
A1 Shack Up - Machine
A2 Shack Up - Man
B1 Shack Up (Norman Cook Mix)
B2 Party Up - Shack Up

1990 MTV performance of the track

Life's A Scream


A Certain Ratio - Live In America
1983 and most of 1984 were bad times for A Certain Ratio. The original band had fractured when key front man Simon Topping left for the latino rhythm schools of New York and second guitarist Peter Terrell found religion, they would be replaced by uninspiring, soulless backing singer Carol McKenzie. The resulting jazz-pop funk plunged the band on a nose dive into dull mediocrity. The only single from this era, I Need Someone Tonite backed with a cover of Stevie Wonder's Don't you Worry 'Bout A Thing was ok, but this more for a Level 42 audience than the hardcore A Certain Ratio raincoat brigade. Their's and Factory's desire to chase New Order into the hit parade had worn away the sharp edges of  ACR's creative dark funk.
A sharp, solid jolt back to excellence was the sublime late 84 single, Life's A Scream. McKenzie had been thankfully dumped and bass man Jez Kerr assumed both lead vocals and songwriting duties. This was a new A Certain Ratio. There was a revived energy and direction, the hard edges were back but now underpinned by Kerr's proper songs, most of which exposed, imho, a subtle dark lyrical genius. This new sound eventually progressed to the excellent Force album, but also unleashed the powerful hard dance of the Wild Party single. ACR's first gigs with the new line-up were nervy and dour, but by 1985 the band had re-found their feet, and your author was lucky enough to be part of a large audience at a London ICA gig in March 1985. Myself and some friends shared a beer with Donald Johnson pre-show, in his own gentle, calming south Mancunian words, "we're back and we're much harder, much much harder". ACR were back, and if you know where to look, you can hear for yourself, as live recordings of that gig have surfaced on the world wide web.
The band also revived some of their earlier work, with original tracks like Flight and The Fox given a makeover, all clearly refreshed by Andy Connell's splendid work on keyboards.
Following a successful appearance at that year's WOMAD festival (a video of their set exists), A Certain Ratio joined headliners New Order for a lengthy US tour in August 1985. It is from those support gigs that this album was created. Originally sold as a cassette at gigs later that year, Dian Barton's (who until recently still worked the desk at ACR gigs) live desk recording of the band captures the pure energy and power of A Certain Ratio onstage - I very much doubt that their touring partners and label-mates have ever sounded so assured live.

Ripped from a vinyl album released on Dojo Records DOJOLP 47) in 1986 to high resolution 24-bit flac audio.
A1 Sounds Like Something Dirty
A2 The Fox
A3 Shack Up
A4 Life's A Scream
A5 Wild Party
B1 Flight
B2 And Then Again
B3 Touch
B4 Knife Slits Water
B5 Si Fermir O Grido

All Night Party


A Certain Ratio - The Graveyard And The Ballroom
I never owned an original copy of this. I was poor in the early-mid eighties so had to make do with an underground market basement bootleg (those were the days!), and then upgraded to a Factory boxed version in 1985. In the post-Factory nineties, A Certain Ratio licensed the recordings to Creation Records for a series of CD back catelogue releases. To their credit, Creation never fiddled with the levels so what we got was a fairly accurate transfer from the original masters.
The Graveyard side is so important as it evidences the remarkable development in the band's sound with the addition of funky drummer Donald Johnson. Gone is the drone and dreariness of the first single, now there is a tight cohesion and an unmistakable groove with ACR made their own. Do The Du (Casse) is ten zillion light years away from All Night Party, yet there is still a darkness and melancholy in Topping's voice - for which unfortunately he was always lumbered with the Joy Division-copyist label. "That sounds like Joy Division doesn't it?..." mocks Topping during the funk beats of The Fox at the Electric Ballroom live audience. He then breaks the silence between The Fox and the jangley funk of Suspect with an echoey and ghostly "I've been waiting for a guide and take me by the hand." 
Given the issues with the recording of To Each.. the seven demo tracks on the a-side of the Graveyard, the wonderful Flight single and one half of the FACUS4 release are ACR's only meaningful work with Martin Hannett. Even though these are supposedly just demos, the quality of Hannett's work is very audible, and it only frustrates me more wondering what To Each.. should have/could have sounded like..

Originally released on a cassette tape on Factory Records (FACT 16) in 1980. Imagined here in lossless flac audio from digital sources.
The Graveyard
A1. Do The Du (Casse)
A2. Faceless
A3. Crippled Child
A4. Choir
A5. Flight
A6. I Feel
A7. Strain
The Ballroom
B1. All Night Party
B2. Oceans
B3. The Choir
B4. The Fox
B5. Suspect
B6. Flight
B7. Genotype/Phenotype

Get Down in Upsville


A Certain Ratio - Up In Downsville
Ignoring the final A&M out-takes album (ACR:MCR) this release saw ACR head feet first into the world of funky techno, and to give them credit, they did ok. It's not all techno but the influence can be heard running throughout. After the opening  aural assualt of Manik, the soulful Turn Me On is regarded as a new-ACR classic, the dance poptones of Mello and Twenty-Seven Forever are very catchy. Wonder Y is still played live by ACR today and is a throbbing mix of heavy percussion, sequenced beats, samples and Jez Kerr's dark vocals. The title track Up In Downsville is a bass heavy, nineties tribute to the p-funk sound of Funkadelic and Parliament. Tekno For An Answer (sic) probably went down well in a few Manchester clubs at the time but these days just sounds very out-dated. The bizarrely titled Salvador's (Fish) is an acoustic tribute to the chillout beats from Spanish club resorts of the day.

Ripped from a compact disc album released in 1992 on Robs Records (CDROB 20) to high quality lossless FLAC audio.
1. Manik
2. Turn Me On
3. Mello
4. Wonder Y
5. Up In Downsville Part 1
6. 27 Forever
7. Tekno 4 An Answer
8. Salvador's (Fish)
9. 27 Forever (Jon Da Silva Remix)
10. Mello (M People Remix)

Will Stop Selling You


In the summer of 1990, A&M Records were forced to abort the release of a new recording of ACR's Shack Up - an uncleared sample of Shine On You Crazy Diamond on the Norman Cook remix was suggested as the reason. The gap was filled by the band's reworking of The Big E, giving it a much more upbeat and commercial club sound, with New Order's Bernard Sumner adding keyboards and sequencers. The result was a huge pounding dance single which failed to dent the charts and signaled the beginning of the end of the band's relationship with the label.

Ripped from a compact disc single released on A&M Records (ACRCD 540) in 1990 to high quality lossless FLAC audio.
1. Won't Stop Loving You
2. Repercussions
3. Love Is The Way (Instrumental)
4. Won't Sop Loving You (Extended Remix)

Back To The Start


A Certain Ratio - Intro Talk-In
The other day, current ACR frontman Jez Kerr let the world hear the earliest known ACR recording made the day before their first gig at Manchester's Band On The Wall in 1978. The song named Intro Talk-In is a dour mix of drone guitar, bass and indistinct vocals, here's what Jez had to say on his Soundcloud page....

This is from a cassette of my very first rehearsal with Simon and Pete, at my parents house 1978. It's a recording of the first time i played as part of ACR, obviously there wasn't many notes to learn but for me this is a special recording. We never recorded the track but we opened the set with it for those early gigs.I deciphered the lyrics, which neither Pete nor Simon can remember writing, and put them in a song called 'Teri' from the ACR album Mind made up
The day after this recording i played my first gig at Band on the wall.

Selling Out!


A Certain Ratio - BBC Radio Sessions 1989

BBC Radio NICKY CAMPBELL SESSION 7th AUGUST 1989
River's Edge
The Big E
Backs To the Wall
Your Blue Eyes

BBC Radio RICHARD SKINNER SESSION 10th SEPTEMBER 1989
Your Little World
Good Together
God's Own Girl
Backs To The Wall

Wild Party


A Certain Ratio - BBC Radio "Saturday Live" Session July 1985
A reinvigorated ACR perform live in the studio during Richard Skinner's BBC Radio One Saturday afternoon show. Aside from the dull Force which was never performed again (but it's title was used for their classic fourth album), this session marked a return to form with the delightful Life's A Scream and the hard indie-funk of Wild Party. Suddenly it was OK to like A Certain Ratio again.

White Boys Can't Dance


A Certain Ratio - Third Peel Session
ACR divided their audience with a sharp shift into jazz funk territory. Whilst 1982 live shows featured dabbles with East Coast funk, it was this session which hinted at a slight loss of direction, culminating with the eventual departure of front man Simon Topping. The commercial Touch is well enough known as it opens their third long-player, I'd Like To See You Again. Donald Johnson takes up the lead with some high calibre slapped funk bass whilst Topping's dulcet backing vocals and sharp trumpet show that he still had a part to play. The remaining two tracks drift off into dull transient elevator music, very much like mediocre Mezzoforte jazz funk. I have often wondered what a hardcore Peel audience thought when they first heard this session.

Recorded: 20th November 1982
Broadcast: 1st December 1982
Producer: Dale Griffin
Engineer: Martyn Parker
Studio: Maida Vale 4

Tracklist:
1. Touch
2. Who's To Say?
3. Piu Lento

Personnel:
Simon Topping (Vocals)
Martin Moscrop (Guitar/Drums on Touch)
Peter Terell (Guitar)
Jeremy Kerr (Bass)
Donald Johnson (Drums/Bass & Lead Vocals on Touch)
Andy Connell (Keyboards, Percussion)